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saxomonica.
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November 13, 2025 at 9:31 pm #126314
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Rock and Roll Saxophone Music
Rock and Roll is one of Led Zeppelin’s biggest hits from their 4th album released in 1971. It works great on saxophone because it’s really just a basic 12 bar blues done with the Zeppelin twist and patterned after the early rockers we all know and love.
Song Key
This saxophone version is in the key of A major. This is the same key as Led Zeppelin’s original recorded version. That means the Bb sax music chart is in B major and the Eb sax music chart is in F# major.
The sax solo as heard in the video is included in the transcription. It revolves around the minor blues scale.
The B Mixolydian blues scale
combines the B Mixolydian scale and the blues scale, creating a hybrid scale with a major and minor third. The notes are B, C#, D#, E, F#, G#, A (B Mixolydian)
and the blues scale notes are B, D, D#, E, F#, A.The full hybrid scale’s notes are B, C#, D, D#, E, F#, G#, A.
Notes and intervals
Notes: B, C#, D, D#, E, F#, G#, A
Intervals: Root, major 2nd, minor 3rd, major 3rd, perfect 4th, #4/b5, major 5th, major 6th, major 7th, minor 7th (or dominant 7th)How to use it
Start with the B Mixolydian scale: The foundation is the B Mixolydian scale, which contains the notes B, C#, D#, E, F#, G#, A.
Add the blues notes: The distinctive bluesy sound comes from adding notes from the minor blues scale. The B minor blues scale contains the notes B, D, D#, E, F#, A.
Combine and organize: Combine these notes to create the B Mixolydian blues scale: B, C#, D, D#, E, F#, G#, A.Key characteristics
Major/minor tonality: The scale has both a major and a minor third (C# and D), which is a common characteristic of Mixolydian blues. This creates a classic “push-pull” sound.
Bluesy feel: You can use the minor third (D) and minor seventh (A) to get a strong bluesy sound.
Dominant seventh sound: The scale includes a dominant seventh (A), which is the defining characteristic of the Mixolydian mode, making it ideal for playing over dominant 7th chords~~~~~~ / ~~~~~~
Google AI Overview
Led Zeppelin’s “Rock and Roll” is a high-energy song characterized by a fast tempo, a double-tracked guitar riff, and a driving rhythm section inspired by 1950s rock and roll. The musical analysis reveals a foundation in the A Mixolydian mode, created by taking the key of A major and lowering the 7th note (G), which is common in classic rock. The track was famously born from a spontaneous jam session where John Bonham’s drumming from Little Richard’s “Keep a Knockin'” provided the groove for Jimmy Page’s guitar riff, and features additional production layers and piano by Ian Stewart.
Composition and structure
Tempo and key: The song is in the key of A Mixolydian and played at a fast tempo of 170 beats per minute.
Instrumentation: The arrangement includes a simple, yet effective, main guitar riff by Jimmy Page that leaves space for the other instruments to drive the song.
Production: Page’s guitar work is enhanced with multiple tracks: the main riff is double-tracked, a third more distorted track is panned to the center, and a fourth track adds rock and roll licks.
Piano: The Rolling Stones’ pianist Ian Stewart contributed to the recording.
Influences and recording
Inspiration: The song draws heavily from 1950s rock and roll artists, particularly the energy of Chuck Berry and Little Richard.
Jam session: The basis of the track was created during a 15-minute jam session at Headley Grange, with Bonham starting the song with the drum intro to “Keep a Knockin'”.
Rhythmic foundation: Bonham’s drumming on the Little Richard track was crucial in establishing the groove for the song.
Theoretical and stylistic analysisMixolydian mode: The use of the Mixolydian mode, which features a flatted 7th, is a key characteristic of the song and a common trait in classic rock music.
Chord-Melody Tension: According to Hooktheory, the song has higher complexity in chord complexity, melodic complexity, and chord-melody tension than the average song.
Legacy: “Rock and Roll” is a prime example of Led Zeppelin’s ability to blend a raw, rock and roll sound with intricate arrangements and technical skill, setting a high standard for future rock music.~~~~~~ / ~~~~~~
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https://cafesaxophone.com/threads/b-major-blues-scale.35467/page-2
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https://www.saxontheweb.net/threads/mixolydian-scale.4469/
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https://www.jstor.org/stable/40212444
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https://ultimateclassicrock.com/led-zeppelin-rock-and-roll-song/
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Lyrics
It’s been a long time since I rock and rolled
It’s been a long time since I did the stroll
Ooh, let me get it back, let me get it back
Let me get it back, baby, where I come from
It’s been a long time, been a long time
Been a long lonely, lonely, lonely, lonely, lonely time
Yes, it has
It’s been a long time since the Book of Love
I can’t count the tears of a life with no love
Carry me back, carry me back
Carry me back, baby, where I come from
Whoa, whoa, oh
It’s been a long time, been a long time
Been a long lonely, lonely, lonely, lonely, lonely time
Oh, seems so long since we walked in the moonlight
Making vows that just can’t work right
Oh yeah, open your arms, opens your arms
Open your arms, baby, let my love come running in
Yeah!
It’s been a long time, been a long time
Been a long lonely, lonely, lonely, lonely, lonely time
Yeah, yeah
Yeah, yeah
Ooh yeah, ooh yeah
Ooh yeah, ooh yeah
It’s been a long time, been a long time
Been a long lonely, lonely, lonely, lonely, lonely timeSource: Musixmatch
Songwriters: Jimmy Page / John Paul Jones / John Bonham / Robert Anthony Plant
Rock and Roll lyrics © Succubus Music Ltd., Sons Of Einion Publishing, Cap Three Ltd, Flames Of Albion Music, Inc., Bonham Ip Holdings~~~~~~ / ~~~~~~
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