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  • #128228
    saxomonica
    Participant

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      Don’t Let me Down Saxophone Music

      This version of Don’t Let Me Down is a saxophone instrumental.

      A John Lennon song that* was recorded by The Beatles in 1969.

      Song Key

      This version is in the key of Eb major.

      That puts the Bb sax music chart in F major.
      The alto sheet music is in C major.

      After the purchasing process you will have access to the download page which contains all the links for the mp3 audio backing tracks and the saxophone sheet music.

      Don’t Let Me Down Saxophone Music Download Includes
      same audio backing track as in the music video above (without sax)
      high quality MP3 audio file (192 kbps)
      sheet music for both Bb and Eb saxes
      chart prints out as full size music sheet
      includes a full mix version which includes Johnny’s sax.

      “Non desistans, non exieris.” — never give up, never surrender.

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      https://www.aaronkrerowicz.com/beatles-blog/formal-structure-in-beatles-music-159-dont-let-me-down

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      Behind the Song Lyrics: “Don’t Let Me Down,” The Beatles

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      https://songmeanings.com/songs/view/765/

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      https://grokipedia.com/page/Don’t_Let_Me_Down_(Beatles_song)

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      Says Google AI ~~

      John Lennon wrote “Don’t Let Me Down” as a raw, vulnerable plea to Yoko Ono, expressing his deep need for her support as he revealed his true self, amidst the intense stress and paranoia of the Let It Be sessions, making it a powerful cry for love and reliability during a difficult time

      Key Meanings & Context:

      A Plea to Yoko Ono: The song is a direct address to Yoko, a deeply personal and revealing moment where Lennon admits, “I’m really stepping out of line on this one… I’m really just letting my vulnerability be seen, so you must not let me down”.
      Vulnerability & Fear: Written during a tumultuous period, the lyrics capture Lennon’s emotional state, a mix of hope in love and fear of abandonment, especially as he faced heroin addiction and growing paranoia.
      A Cry for Help: Paul McCartney described it as a “genuine cry for help,” reflecting Lennon’s willingness to be truly seen and supported by Ono, a significant shift from his usual persona.
      Love as Salvation: The lyric, “I’m in love for the first time,” emphasizes the profound impact Yoko had on him, seeing her as his anchor in troubled waters, as noted by American Songwriter and Quora users.
      Raw & Honest: The track, with its soulful, bluesy feel and Billy Preston’s iconic organ, stands out as one of Lennon’s most honest and nakedly emotional performances, perfectly captured during the famous rooftop concert, notes American Songwriter and Rolling Stone.

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      beatlesebooks.com/dont-let-me-down

      says, site not secure
      ♫ ♪ https protocol

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      https://www.hooktheory.com/theorytab/view/the-beatles/dont-let-me-down

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      https://www.rollingstone.com/music/music-features/beatles-dont-let-me-down-let-it-be-box-set-1244101/

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      https://www.songfacts.com/facts/the-beatles/dont-let-me-down

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      Don’t Let Me Down

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      https://www.tumblr.com/futuremusicmoguls/139213151679/the-beatles-dont-let-me-down-analysis

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      beatlesbible.com/forum/the-songs/what-does-john-say-in-dont-let-me-down/

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      https://tabs.ultimate-guitar.com/tab/the-beatles/dont-let-me-down-chords-17244

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      “Don’t Let Me Down”

      Don’t let me down, don’t let me down
      Don’t let me down, don’t let me down

      Nobody ever loved me like she does
      Oh, she does, yes, she does
      And if somebody loved me like she do me
      Oh, she do me, yes, she does

      Don’t let me down, don’t let me down
      Don’t let me down, don’t let me down

      I’m in love for the first time
      Don’t you know it’s gonna last
      It’s a love that lasts forever
      It’s a love that has no past (Seeking past)

      Don’t let me down, don’t let me down
      Don’t let me down, don’t let me down

      And from the first time that she really done me
      Oh, she done me, she done me good
      I guess nobody ever really done me
      Oh, she done me, she done me good

      Don’t let me down, hey don’t let me down
      Heeeee, don’t let me down

      Don’t let me down
      Don’t let me down, don’t let me let down
      Can you dig it? Don’t let me down

      Writer(s): Paul McCartney, John Lennon

      Copyright for The Beatles’ “Don’t Let Me Down” (1969) belongs to Sony/ATV Music Publishing LLC

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      Behind the Song: The Beatles’ Late-Period Standout “Don’t Let Me Down”

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      https://faroutmagazine.co.uk/listen-to-the-original-home-demo-for-the-beatles-song-dont-let-me-down/

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      https://www.songmeaningsandfacts.com/dont-let-me-down-unveiling-the-anthem-of-vulnerable-love/

      #128256
      john
      Keymaster

        the guy who wrote an analogy of the tune goes on and on but fails to even mention the addition of Billy Preston!
        Also, there is no “subtle organ” in the background but instead Billy plays a very important and quite upfront Fender Rhodes electric piano
        what he contribute to these sessions which include “Get Back” was quite a lot and really tastefully done.

        #128262
        saxomonica
        Participant

          Hear , hear ya

          🙂

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          https://www.nme.com/features/film-features/billy-preston-let-it-be-album-documentary-3754065

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          https://www.rollingstone.com/music/music-features/billy-preston-thats-the-way-god-planned-it-documentary-review-1235172458/

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          strong>AI Overview

          Billy Preston’s contribution to The Beatles’ “Don’t Let Me Down” is crucial, adding soulful, bluesy texture with his Fender Rhodes electric piano and iconic solos, transforming the raw plea from John Lennon for Yoko Ono into a richer, emotionally resonant track, featuring a memorable, blues-infused keyboard solo in the key of E using the C# blues scale over F# minor and E major chords, enhancing the song’s raw emotion and groove during the tense Let It Be sessions.
          Musical & Arrangement Analysis:

          Key & Meter: The song is in E Major, primarily in 4/4 time, but with intriguing rhythmic shifts, including a 5/4 pickup.

          Chord Progression: Features classic I-ii-V patterns, with a distinctive blend of blues and rock elements.

          Instrumentation: Preston’s electric piano (Fender Rhodes) provides soulful fills and a prominent solo, while guitars, bass, and drums offer a driving, blues-rock foundation.
          Preston’s Role: He adds a warm, soulful layer, bridging the gap between the band’s core sound and the song’s emotional depth, becoming a featured “member” credited on the single.

          Billy Preston’s Solo (Keyboard):
          Scale Choice: The solo skillfully uses the C# blues scale (submediant blue scale) over the F# minor and E major chords, creating a unique, bluesy flavor not found in standard E blues.

          Melodic Motifs: He uses short, memorable melodic figures, often built around the C# minor triad, reinforcing the harmony with root notes on the downbeats.
          Technique: Incorporates blues runs, double stops (playing two notes at once), and rhythmic precision, adding to the song’s raw, live feel.

          Emotional & Contextual Significance:
          Lennon’s Vulnerability: The song is a deeply personal and vulnerable plea from John Lennon to Yoko Ono, expressed through raw vocals that include screams, showcasing his emotional state during the Get Back sessions.

          Soulful Counterpoint: Preston’s playing isn’t just accompaniment; it’s a conversation, offering support and mirroring the song’s emotional intensity, enhancing its status as a powerful love song.
          “The Beatles with Billy Preston”: His presence and talent were so vital that the single was credited to “The Beatles with Billy Preston,” a rare co-credit acknowledging his integral role in the Let It Be project.

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          Billy Preston: A Fascinating Journey Through the Life of the Organ Prodigy Who Collaborated with the Beatles and Shaped Funk Music

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          Once Upon a Tine – Rhodes, Billy Preston & The Beatles

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          https://magazine.waxpoetics.com/article/billy-preston-1971-album-i-wrote-a-simple-song/

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          In the Spotlight: Billy Preston

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          Billy Preston: The “Other” Fifth Beatle

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          https://www.theguardian.com/world/2006/jun/07/arts.artsnews

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          youtube.com/watch?v=PZtceMSQ25E

          #128263
          saxomonica
          Participant

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