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Home Alt Forums General Questions Making good use of Bb and F in the G minor Pentatonic/blues Scale

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  • #19656
    Michael
    Participant

      Hey Johnny, I had posted this question about a week ago as I was working on my Improvised licks/riffs for “Spooky” on the Tenor Sax; played in the key of Gm. If you look at the question I posted above, even though Bb is part of the chord of Gm, typically I wouldn’t want to start off a lick/riff on Bb, would I? Thanks 🙂

      #19661
      john
      Keymaster

        sorry I had missed the question Michael.
        the Bb is great to use on both those chords. so is the G. if you look at the two chords:
        Gm is G Bb D
        C7 is C E G Bb
        see how both chords contain the G and Bb.
        anytime you have this 1m to a 47 you can use the pentatonic minor scale over the progression.

        #19662
        Michael
        Participant

          No worries about missing the question, we’re all busy LOL
          I was asking this question because, in working on “Spooky” for Tenor and these chords, my wife was under the impression never to “start off” a lick/riff with a Bb note–she was talking about how it tends to feel kind of “sour” and musicians frown upon it. But in this minor scale, Bb is part of the chord/Gm pentatonic so I was wondering if she was getting confused with something else?

          #19663
          Anonymous

            your wife does have a good point!
            Sit in a quiet room and hit a Bb
            on the piano – feel the sound – it
            feels like a falling down note.

            If you can get to feel how each
            note sounds on it own and not
            in relation to other notes,
            then you will become more pitch
            perfect and be able to identify
            which note is being played.

            i know you don’t want to start the
            major improvisation course, but i
            feel you would benifit just watching lesson 1 & 2!

            I haven’t started lesson 2 on my sax, but i have watched it 4 or 5
            times just to see & feel what is
            going on, by the end of several
            viewings, i was able to pick out
            which notes were being played on the sax, and feel the different
            effects.

            Sounds have many dimensions,
            1st – the pitch changing
            2nd – the volume changing
            3rd – the duration changing
            4th – physicaly moving the sound
            closer to you and then moving it
            away from you (imagine standing in a parade, waiting for a marching
            bsnd to come round the corner and
            then when it is front of you and then when it dissappears – thats a
            different sensation)

            Play 1 note & play around with
            the last 3 and theres loads of variations!

            Theres lots of rules for music that apply, but you. can bend the
            rules if it sounds ok, or if
            you want to create a specific
            effect! Music in horror films,
            although boring, shows a lot
            of what you can do in music,
            which doesn’t sound musically
            appealing but does have a dramatic
            effect!

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