Home Alt › Forums › General Questions › Making good use of Bb and F in the G minor Pentatonic/blues Scale
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Anonymous.
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May 5, 2015 at 8:47 pm #19656
Hey Johnny, I had posted this question about a week ago as I was working on my Improvised licks/riffs for “Spooky” on the Tenor Sax; played in the key of Gm. If you look at the question I posted above, even though Bb is part of the chord of Gm, typically I wouldn’t want to start off a lick/riff on Bb, would I? Thanks 🙂
May 5, 2015 at 11:40 pm #19661sorry I had missed the question Michael.
the Bb is great to use on both those chords. so is the G. if you look at the two chords:
Gm is G Bb D
C7 is C E G Bb
see how both chords contain the G and Bb.
anytime you have this 1m to a 47 you can use the pentatonic minor scale over the progression.May 6, 2015 at 2:15 am #19662No worries about missing the question, we’re all busy LOL
I was asking this question because, in working on “Spooky” for Tenor and these chords, my wife was under the impression never to “start off” a lick/riff with a Bb note–she was talking about how it tends to feel kind of “sour” and musicians frown upon it. But in this minor scale, Bb is part of the chord/Gm pentatonic so I was wondering if she was getting confused with something else?May 6, 2015 at 2:42 am #19663Anonymous
your wife does have a good point!
Sit in a quiet room and hit a Bb
on the piano – feel the sound – it
feels like a falling down note.If you can get to feel how each
note sounds on it own and not
in relation to other notes,
then you will become more pitch
perfect and be able to identify
which note is being played.i know you don’t want to start the
major improvisation course, but i
feel you would benifit just watching lesson 1 & 2!I haven’t started lesson 2 on my sax, but i have watched it 4 or 5
times just to see & feel what is
going on, by the end of several
viewings, i was able to pick out
which notes were being played on the sax, and feel the different
effects.Sounds have many dimensions,
1st – the pitch changing
2nd – the volume changing
3rd – the duration changing
4th – physicaly moving the sound
closer to you and then moving it
away from you (imagine standing in a parade, waiting for a marching
bsnd to come round the corner and
then when it is front of you and then when it dissappears – thats a
different sensation)Play 1 note & play around with
the last 3 and theres loads of variations!Theres lots of rules for music that apply, but you. can bend the
rules if it sounds ok, or if
you want to create a specific
effect! Music in horror films,
although boring, shows a lot
of what you can do in music,
which doesn’t sound musically
appealing but does have a dramatic
effect! -
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