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  • #21575
    john
    Keymaster

      I just checked the version from Musicnotes.com and it’s in the same key as mine and the original. so yes, it;s all good, you are in the same/right key.
      but…. if you are reading the piano chart with your alto then you are playing it in the wrong key. it should sound way off and personally I wouldn’t be able to do it, but if it doesn’t bother you then play along.
      I’m guessing you don’t like the proper alto part because it’s too high?

      #21592
      Bob McNamara
      Participant

        G major, right? The notes for alto are just too high for me to enjoy playing the song….not all songs of course, but that one in particular. I could get used to it, but when I switched to the lower notes, it all started to sound better, esp. with the backing track (same thing with the song Unforgettable–it’s okay transposed, but the piano version, which has lots of low D, F sharps etc, sounds like the Nat Cole version). It just feels like the song when I play the lower notes…hope that makes sense.

        Appreciate the quick response. Am getting on a plane so I’ll go through the book then–love the idea of starting with a handful of licks to start soloing from–too many online courses/teachers just tell you to start with simple rhythms or ideas, but a lot of players, esp. early on, don’t have that capability yet–which is why improvising sounds so crappy and becomes intimidating–this should be the fun part–not the part a player dreads–so to have a basic template in my pocket allows me to start somewhere and then when I start experimenting with the pentatonic scales and get a few variations in my head, I can make progress a lot faster–I know I won’t keep using just these licks because I’ll invariably go off and make it my own, but it’s given me a place to begin–brilliant idea. Thanks Johnny!

        #21596
        john
        Keymaster

          the original key is actually in E minor (the relative minor of G major)

          #21597
          Michael
          Participant

            Hi Bob,
            I’m in Johnny’s Killer Blues ebook right now–I have been since November. As you probably have already gathered, there’s A LOT to take in. My wife at first thought that it was a “small” book….until she looked at the contents in detail. Of course we have to Memorize/commit to memory Johnny’s exercises…but if you really wanna get the full benefit from his book then take the time to really analyze what Johnny is showing us v.s just “memorizing” a few exercises and then “fool” ourselves into thinking we know this stuff. It has to go beyond that….our goal should be take what we learn from Johnny’s book and apply them to any of the Scales that he shows, at will, and be able to Improvise with them. We gotta make this stuff “our own” so to say. Johnny’s licks/riffs are a fantastic way to get up-and-going, but once we’ve done that then we can start creating our own solo ideas, in any of the scales, and be able to use them with a band.
            I hear you about Improvising being intimidating in the beginning, and it’s for the exact reasons you mention. Guys out there on youtube and what will demonstrate what the scales are, but virtually no one will break it down/show us what to do with it; we we just don’t know where to start or what to do. Attached below is a video I uploaded in the blog for Member’s Videos about a month or so ago–it was my first time to Improvise, on my own, by applying Johnny’s lessons from Killer Blues. The Improvisation is in the middle of the song and towards the end. While it’s far from perfect and Johnny gave me some valuable points that I’m working on applying right now with another Improvisation project that I’m doing, it was enough to “get my feet wet” and to see what I was doing right/wrong. It’s not perfect by any means, but it’s progress.

            #21607
            Bob McNamara
            Participant

              Michael (or do you go by Mike?): Thanks for your comments..you are spot on…impressive performance by the way. As they say there are no shortcuts in music, but I am beginning to understand how people get so hooked…just wish I had four hours to practice every day….Johnny, thanks for the insight about the key! Makes me feel a bit better that I have some control over what this sounds like.

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