@ William: On the link to the video converter website that I posted, there’s options to choose from right before the button that says “convert”. I don’t have a Mac computer, so maybe it wasn’t compatible for some reason? Not sure why that would be the case, the computers/internet have minds of their own sometimes LOL
The backing track itself is in B Major, so for Tenor you will need to play the song in C# Major (2 semi tones above B) The sheet music on mysolospot.com is already in the key that you need for Tenor Sax. C# Major is not the friendly key in the world to work with, but that’s what King Curtis is doing here and when you learn to play this song in that key, it sounds fantastic 🙂 On a side note, Johnny mentioned in another post that this song was on his to-do list, so if eventually Johnny decides to make this song available to buy, he could produce a backing track in Bb Major and that would mean for Tenor you would play in C Major….much more Sax ‘friendly’ than C# Major 🙂 But I learned this song in the original key that King Curtis did it….it’s an absolutely killing Saxophone song 🙂 I learned this song about a year ago and was going to upload it when I got my home recording studio all set up before this tongue-tie thing hit me…it’s one of many songs I’ve learned and never shown to anyone–other than just family friends–because of wanting to set up my home recording studio first.
@ Peter: Right on Peter 🙂 Do you play Tenor Sax? I thought you’re on the Alto Sax…you would need to play in G# Major. The Alto is an Eb Sax, it’s not the same things Tenor Sax..make sure you understand that before trying this song…you would end up learning it in the wrong key and in the beginning I made that mistake 🙂 Yeah, work on your Blues Scales….work on all of your scales, it’s really important. Then when you go to learn any song in the world it will all feel very familiar to you. Practice your Major/minor Scales in every which way you can–the various chords of the scales, invert your chords, modes of the scales, the various degrees of the scale/their corresponding chord, the notes of the Pentatonic Scale, work on your scales in Major and minor 3rds, diminished scales, Bebop Scales, and so on. The point being is to work on your scales in every which way that you can so that you simply know them like the back of your hand and you don’t have to think about them. Most people will work on their scales just by going up and down them in a robotic manner…rarely does this kind of practice help to ‘burn’ your scales into our minds. When I’m fully recovered I’ll share some tips with members in the “Saxophone Tips” area of how to get more out of your scales…we all know that practicing them can be boring LOL But there’s lots and lots we can do to make them fun and turn them into actually music.

@ William: That’s weird that you would have problems buying sheet music from his site, weird. Glad you got it worked out, maybe he had some troubleshooting issues or something? Might be a good idea to e-mail Curtis who operates that site and talk to him about it, he probably can help you. In his playing, King Curtis seemed to use scales that lots of other people wouldn’t use–like you said for Tenor he played that song in C# Major while everyone else would have done that type of a song in C Major, E minor, or something along those lines LOL Another example is his version of the Green Onions, for Tenor Sax he’s in A minor…again, another weird key for that Great song. But I think it’s great because rather than just playing in 1 key all the time and doing the same ole’ thing that everyone else is doing, different keys/scales gives our playing different sounds. Here’s another good example of how using different keys adds so much to our playing: Look at what Johnny did with his version of Baker Street-on youtube he got comments from people wanting to know why he changed the key and, personally, when I learned to play Johnny’s Baker Street v.s. the original version, I think Johnny’s cover is better. When you play it, it has more of a feel of really wanting to ‘let loose’…especially with the Altissimo part in his solo, it’s really, really fun 🙂 The original release is cool too, but when you play it, it feels more ‘contemporary’. Some people like the contemporary thing, but personally I prefer Johnny’s cover of Baker Street.
@ Peter: Very cool, keep at it…we never can get too good at practicing those things 🙂