Wow… Nevermind! I’ve been playing witht he Jody Jazz a while and wow. I guess something did happen and I got used to it. My Otto link naturally had a breathy subtone to it, which was nice, especially on those low notes. But I can use double lip embouchure on the Jody Jazz to get the same sound. That nasal sound I mentioned was rather a louder, punchier tone, and it’s not necessarily “nasaly” as it is just raw power now. It’s cool. It also get’s rid of my problem of not being able to play loud enough because I can definitely blow louder than on that Otto Link before. This is going to be a really great piece. I think I’m definitely going to stick with it.
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