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  • #10396
    john
    Keymaster

      Yes. The maj7th is just that, as opposed to the dominant or flat 7th we use in blues a lot. So in C, the flat 7 is Bb. If we play C E G Bb we have just played a C7 chord.

      If we raise the 7 it becomes a B natural and therefor a major 7. So C E G B is a major t chord which sounds totally different from the dominant 7 chord.

      #10397
      Jan
      Participant

        Thanks, Johnny. Much appreciated. I just need to get my head around the differences. I totally grasp that the major and minor (maj7 and 7) are raised and flattened respectively, however is the dominant then the natural tone for that particular scale? Or, if not – what is the dominant?

        Jan

        #10398
        john
        Keymaster

          Your confusion may be because of the word "dominant".
          We just call a 7th chord a dominant 7 chord. (I guess because it sounds so dominant)
          If I didn't answer your question it may be because I'm not understanding it properly.

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