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Tagged: Blues In The Back Room
- This topic has 11 replies, 4 voices, and was last updated 9 years, 3 months ago by
Anonymous.
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April 5, 2016 at 3:00 pm #35416
Anonymous
wow – i get the feeling i’m in a hot climate, some wind chimes are blowing near an open door, i’m sitting in a chair at a table drinking a beer, looking out and seeing nothing but heat and dust. peace.
cool – thanks for sharing
April 5, 2016 at 3:30 pm #35418William wow great set up by the way does the pop filter help with your royer 121
April 5, 2016 at 5:42 pm #35427That’s your best sound so far I think William. way to go
April 5, 2016 at 5:46 pm #35428Re: the pop filter: When I put the horn about 36 inches from the mic the sound had no buzz. When I put the horn near the mic I got a nice buzz and also a bit of wind sound. So with the pop filter I got a nice all around horn buzz with some edge and NO wind noise like a vocalist might get when singing close to the mic.
April 5, 2016 at 6:03 pm #35429Thanks Johnny. I noticed that when recording into garage band with a backing track the horn sounds a bit weak and dull, but when I record into garage band with no backing track other than the Loops provided by Garage Band I get a better sound from the horn. I was in a relaxed mode. I’ll try more of those garage band loops and make up songs as I go.
April 5, 2016 at 6:08 pm #35430On another note, that was the first recording using my ribbon mic, a Royer R-121 studio mic.
April 5, 2016 at 9:54 pm #35432I think the sound is fuller and attribute it to the MBII perhaps.
April 6, 2016 at 5:30 am #35442Johnny, the MBll is fuller and projects better than my other mouthpieces, like the Theo Wannes and JodyJazz mouthpieces. The MBll is my number one mpc
April 6, 2016 at 12:06 pm #35462Anonymous
William – thanks for the info about recording setup, i have very limited experience in recording, and am open minded to trying out what other people do.
April 6, 2016 at 12:53 pm #35472sxpoet: I too have limited experience in recording so I consulted the powers that be to get their advice and recommendations. After following all the advice like having the microphone off to the side, or having the mic above me, behind me, parallel to the horn, a sax length from the horn, the recorded sound was not to my liking so I ignored all the advice from the internet and from the youtube folks and put the horn about 8 inches from the mike blowing right into the mike like a vocalist singing into the mike and having a pop screen between the horn and the mike. At the same time monitoring the recording track and adjusting the gain on the interface so as to not keep so large a cloud on the recording track in garage band. The cloud is my horn sounding on the recording track. If the cloud fills the track the sound will be harsh and unappealing. The pop screen eliminated any breath wind the horn and I might be making. And the mouthpiece that sounded best was the MBll. The MBll mouthpiece sounded fuller and more robust and edgier than any of my other mouthpieces. I also turned my mike around so I would be blowing out into the room, small room but not against the wall. I also used one of those Reflexion Filters. http://www.sweetwater.com/store/detail/ReflexionX
The mouthpiece, the MBll, made the big difference.
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