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Home Alt Forums Problems With Your Sax? crappy ligature been holding me back

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  • #12688
    john
    Keymaster

      ya, checked it out, those ligs look quite nice and like they’d do a good job.

      #12698
      UU Pfister
      Participant

        I just got a new Rovner Versa ligature too and I’m happy with it too 😀

        #12700
        Anonymous

          UU – i’m pleased with mine, i’m using the thin metal plate, with the flaps underneath.
          Now i can hit the overtones for high F, altissimo Ab & Bb, but struggling to get the high D & Altissimo C.
          My old ligature was really unstable.
          This ligature is more even across the whole range of keys, even my middle D sounds better.
          Today i tried the Altissimo range and could go as far as Altissimo B, struggling to get a C.
          In December i plan to get back on Johnny’s Altissimo course and complete all 8 overtones.
          My teacher can play all the Altissimo range, and i asked him to do the overtones – he was a bit
          rusty on them as he doesn’t practice them much. He showed me a very easy Altissimo G which worked
          everytime i tried it and was in tune on the tuner – it just shows once you hit them you can find lots of variations
          for altissimo. But like Johnny says – you need ones that are easy to flow together on the scales,.

          #12701
          Dazza
          Participant

            I’ve been struggling to find an alternative to my 4c yamaha mp so I can reach high E – F# and wonder if anyone has the same experience with stepping up from a cheap mp like this into another mp and experienced a dramatic change. I can only dream about altissimo notes and won’t even contemplate them with my current setup. I am strong throughout the rest of the range but cant get these notes out well, if at all when starting on them. sxpoet, what mp are you using to achieve that range?

            #12702
            Anonymous

              Hi Dazza, my sax (Alto yamaha YAS480) came with a 4c yamaha mouthpiece & ligature.
              I could play high E to high F# not long after i started playing.
              If i remember rightly – it was more a case of getting the right reed for the 4c that was more of a problem.
              With the 4c you can do the altissimo range & get a good tone.
              I think i used Ricoh Royal reeds 1.5 at that time.

              Also when i started the Altissimo course, i found a lot of my reeds would not work at all in the
              Altissimo register but were ok below (i chucked all them). I now believe it was more down to
              the ligature i had at the time.

              Currently using a guardella king
              http://www.sax.co.uk/guardala-king-alto-sax-mouthpiece-gold-plated.ir

              #12709
              UU Pfister
              Participant

                sxpoet, I just changed to the to the thin plate yesterday. It sounds very clear. Now I have to find the right reed. I like the la voz and the standart rico reeds. Usually I play with a 2. With my new lig a 2.5 works ok. What reeds do you use? I’m not keen on Vandoren.

                #12710
                Anonymous

                  Thats funny – i like the La Voz medium/soft as well!! got some La Voz mediums, but tried them yet.
                  I’ve had problems with Vandorens from day 1 on a yamaha 4c mouthpiece & on a theo wanne kali mouthpiece,
                  and now on the guardella king that i currently use (my sax teacher told me to stick to one mouthpiece, otherwise its going to play havoc with your embouchure, if you keep swapping them).
                  But saying that, the only Vandorens i could get on with is the ZZ’s 2. , they seem a close second to the La voz,
                  but i found the reeds went too soggy after a few hours playing.
                  The ricoh jazz selects are another favorite of mine.
                  What i find annoying is the fact that it takes me ages to find a reed that sparkles, the minute you play one,
                  you know you’ve found one. I broke my last good one, so i’m on the hunt.
                  For practicing purposes i make do with 2nd best ones, until i find a good one.

                  #12711
                  UU Pfister
                  Participant

                    great, report back when you tried the la voz medium ones. So next time when I’m up the Westend I get a couple of zz’s and rico jazz. I’ve downloaded the killer blues and being busy practicing the scales.

                    #12712
                    Anonymous

                      i’m not quite ready for the killer blues course yet.
                      Still working on the improvisation course,
                      that leads up to it. So you’re way ahead!

                      #21090
                      Tim56
                      Participant

                        Hey guys: Look at Johnny’s tutorial on ligs. It will show you the why and where of this thing. That said, I have been playing the Winslow design for 3 years or so. I got mine off a on line store. He is gone now. It is,,,SAXXAS.EU The same as the Winslow. John Winslow can bee contacted. He still makes them. I got one for my Otto Link New York 2 months ago. Works great. I’m done looking. Johnny has been playing his for over 20 years! I think it must work! Winslows phone,,, 608-241-1124 He is kind of hard to deal with. If he has it in stock? No problem. It took 3 weeks for me to get mine. No big deal. Saxxas.eu web site will tell you everything you need to know. Costs. Saxxas is about $130.00 US Winslow is $ 100 US shipped to your door in the States. Sure hope this helps. This lig is the best. Off to play one more time today!!! LONG TONES,,, You know the drill! HA!!! Tim

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