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This topic contains 5 replies, has 2 voices, and was last updated by  saxomonica 2 months ago.

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  • #85941

    saxomonica
    Participant

    Hiya there fellow heavy breathers / blowers:

    wow i saw this sweet thang on playing off the wall with long tones;
    itz likely very groovy for developing ears –

    https://www.saxontheweb.net/Price/SecretOfGoodSound.html

    ***********************************

    FYI also have recently discovered Tunebat and Chordify (oft proving pretty handy!)
    Worth a Bo Peep, that is if you’re so inclined, hey try a song, seems exhaustive –

    https://tunebat.com/Info/Shotgun-Jr-Walker-The-All-Stars/6VzM9C7CXyn1BQdgTJVqDx
    [Have a good look at “Camelot”}

    https://chordify.net/chords/johnny-diesel-cry-in-shame-zuel2003

    ************************************

    Closing, as you may appreciate, here’s Little Walter warbling on a C harp 🙂

    #85942

    saxomonica
    Participant

    #85978

    saxomonica
    Participant

    Hello Everybody !!

    D’you know how to get the book, An Approach To The Saxophone’s Third Register, that is being as described “Here” ?
    See link.
    Thanx kindly

    Practicing Voicing to Make Your Sound Bigger and More Focused

    #85986
    Johnny
    Johnny
    Keymaster

    wow that’s alot of thinking …I’ve always thougth of voicing as the positioning of chords (and it is) but these guys are talking about something else.

    I use to listen to Little Walter a lot, really love his sound

    #85998

    saxomonica
    Participant

    hiya, hey all, yep some guys are really out there ‘eh
    far out
    Do you remember this one?
    “flying sauce”
    Concert key of D // E for sax

    many thanx for the latest Emails about your Licks Based on the Dominant 7 Scale
    if i had a beard i’d be singing in it
    yo thanks for helping us sing in the sax, Johnny
    tra la la lala, dah dahda!!

    #86003

    saxomonica
    Participant

    nb this an interesting air @johnny as he plays C Chromatic Super 64 in 3rd position to start
    one step behind key signature, gives eerie minor sound, ephemeral riffs
    lotsa sucking eg 6suck to 4 suck, and then 1blow or 4b, say

    then he switches to a G diatonic ten hole in 2nd position
    skip warbles 4/5 suck, creates tension on 4s and 4s bent, resolves on 2suck (=6blow), turn around on 4blow (=1blow), gutsy

    a nice one to jam along with on sax fellas 🙂
    i can elaborate on some riffs if anyone interested?
    but gotta go now and buy me a bottle ‘a Tequila!
    ##ShowMeTheWormHole

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