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Viewing 10 posts - 41 through 50 (of 65 total)
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  • #19533
    Z
    Participant

      I’m hoping it’s just reeds cause I put a newer one on and it’s fine now I think. The ones I got have apparently run their course. I just hate being the guy that blames everything on the reed; but sometimes there’s no other explanation.

      #19547
      Anonymous

        i remember many months ago asking the question ‘when do you chuck your best reed?’ – The only way
        i can tell is when i feel something is right – after 10 mins of playing it doesn’t sound as good, the notes loose there shine,
        the very top notes get harder to
        control in terms of long tones &
        the very bottom notes dont have
        that kick – in general the reed
        doesn’t doesn’t want to respond
        as well & i notice i start having
        to work my embouchure a lot more
        than normal to get the same sounds.

        my teacher drives me nuts, he gets
        a pair of clippers out, cuts off
        the tip of the reed & carries on
        playing like nothings happened –
        i stand there open mouth thinking ‘What? for Real?’ – i wish i could
        that, mine go straight in the bin.

        #22187
        Frank Basamania
        Participant

          Here’s my two cents. When I purchased some reeds on the internet they through in a box of plastiCOVER reeds for free. They made my sax sound cheap, kind of like a toy. That turned me against them, I had a 10% off coupon so I purchased a Bari reed, it’s some kind of plastic, I thought that was horrible,(I want my money back!!) made my sax sound very, very dark. I also purchased a FIBRACELL which is a man made material, this one I love, it sounds great with my Berg, I would never have believed it. It’s so easy to play, not having to soak reeds and the thing won’t die, I think it was in the $10 range for one but it I’m still using it after about a month.

          #22710

          Hi Folks,
          This is my first post here so let me introduce, my name is Luis Pablo Gasparotto and I was the Hahn reeds distributor for the Americas. I’m the guy somebody referred as the Argentinian Hahn reeds provider. I don’t represent nor distribute Hahn reeds anymore, I’m developing my own product at this time, I’m at a very advanced stage of the developing process.

          I’m a synthetic reeds big fan because I think they have a better pros/cons relation than natural cane reeds. I play synthetic reeds exclusively since 10 years ago. After testing almost all available synthetic reeds brands and models I realized there’s a right synthetic reed for everyone. Of course, certain synthetic reeds could demand an adaptation period. I think the synthetic reed is the best option for those players who want a reed which “just works” or a kind of “plug and play” reed. A well know saxophone player said “nothing compares to a very good natural cane reed but, how many of them (if any) you get in a 10 reeds box? Synthetic reeds are more like an average natural cane reed”.

          I did a few recordings for comparative purposes (not for sharing my below average playing level). I used the synthetic reeds I like the most on both alto and tenor.

          Alto reeds Mouthpiece was a Meyer 6M and saxophone was a Martin Imperial Handcraft (1935).

          Tenor Sax Mouthpiece was a Saxscape SL and saxophone was a Holton 241 (’30s).

          I did these recordings as a blind test, I’ll share the reeds brands and models later. Your opinions will be highly appreciated.

          #22733
          Anonymous

            couldn’t view any of your stuff!
            my teacher was recently moaning about the synthetic reeds, he reckons they manufacture them differently now so they don’t last as long!
            me – i don’t know anything about them, to me its like smoking cigerettes – some people like to roll their own others like to buy em in packets – personal choice i guess

            #22738

            Hi James,
            You just need to download the files on the links and then extract the audio files using WinZip or a similar tool.

            #22742
            Anonymous

              it’s probably cause i’m using an i-pad?

              #22751
              #24837
              Leo Jr
              Participant

                I use a fibracell 3, on my Otto link 6 mouth piece. I am able to use a fibracell 4 on a simple plastic mouth piece.
                You can buy them on Amazon for abou $16 but the last for months.
                Leo

                #30748
                Noah Osnos
                Participant

                  I use Legere (2.5 or 2.75) on my tenor (MK6 with Lamberson SB7) and would never switch back to cane. I find Bari reeds to be rough on my lip and much more difficult to manipulate the sound. I did play on Harry Hartmann and Hahn reeds in the past, but the availability was tricky, so I settled on Legere. Nobody can tell the difference in the audience, and I don’t spend hours maintaining or finding a proper reed.

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